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Polish Folk Music *** Nursery Rhymes *** Folk Music Ensembles *** Muzyka Ludowa *** Biesiada - W mojem ogródecku
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W mojem ogródecku
Performed by Zespół "Rokiczanka"
Key of D minor
​Am                 Dm      Am     E7     Am
W mojem ogródecku rośnie różycka,
​ ​Am           Dm           Am     E7   Am
 Napój mi, Maniusiu, mego kunicka
​ C              F                G        C       
 Nie chcę, nie napoję, bo się kunia boję
​ Am               Dm    Am   E7     Am
 Bo się kunia boję, bom jesce młoda.

W mojem ogródecku rośnie rozmaryn
 Powiedz mi, Maniusiu, kto cię omanił?
 Jasieńkowie ocka, Jasieńkowie ocka,
 Bo się w mojem sercu tak zakochały.

W mojem ogródecku rośnie jagoda
 Powiedz mi Maniusiu, cyś była młoda?
 Jazem była młoda, jak w boru jagoda
 Jak w boru jagoda, kochanecku mój.

W mojem ogródecku rośnie lelija
 Powiedz mi, Maniusiu, cze będziesz moja?
 Skądże jo mom wiedzieć i tobie powiedzieć, 
 Skądże jo mom wiedzieć, cy mnie mama da. 


POLONIA 
MUSIC VIDEOS


Guitar capo position: 5th fret

Intro: Am Dm Am  E7 (repeat)


​ 
Polish Folk Music *** Nursery Rhymes *** Folk Music Ensembles *** Muzyka Ludowa *** Biesiada
E
E7
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Traditional Polish Music
Polish folk music was collected in the 19th century by Oskar Kolberg, as part of a wave of Polish national revival. With the coming of the world wars and then the Communist state, folk traditions were oppressed or subsumed into state-approved folk ensembles. The most famous of the state ensembles are Mazowsze and Śląsk, both of which still perform. Though these bands had a regional touch to their output, the overall sound was a homogenized mixture of Polish styles. There were more authentic state-supported groups, such as Słowianki, but the Communist sanitized image of folk music made the whole field seem unhip to young audiences, and many traditions dwindled rapidly.

Polish dance music, especially the mazurka and polonaise, were popularized by Frederick Chopin, and they soon spread across Europe and elsewhere. These are triple time dances, while five-beat forms are more common in the northeast and duple-time dances like the krakowiak come from the south. The polonaise comes from the French word for Polish to identify its origin among the Polish aristocracy, who had adapted the dance from a slower walking dance called chodzony. The polonaise then re-entered the scene and became an integral part of Polish music.


C
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